Tag: dark

  • Safer In The Tomb

    Safer In The Tomb

    ‘And if I have not changed that goes to prove

    That I am monstrous’

    -W.B. Yeats.

    The child is barely old enough to remember his own name when the dog attacks. Chained outside the smithy, the creature has strained all day against the iron that chokes the breath from between its blackened teeth. The hammer of its caretaker, Chulainn, personal blacksmith to King Conchobar, screams against the anvil. The shrieking clang whips the mongrel into a frenzy. Soon, it knows, it will be let loose to prowl through the night to hunt any intruders who have slipped behind the village walls. Yet the creature is impatient, driven mad by the leaden rhythm of the forge. Drool pools from between dark lips pulled tight over jagged fangs.

    Its bindings have weakened. The brute can understand this. Quivering snout, tarred with snot and rabid ooze smells…. something, small, young… approaching. The chain shatters. The dog barrels forward, rushing, gasping, leaping through the shadows, and the child is there. Something is wrong. The animal realizes it before its leap has been completed. Its haunches lock in an instant of sudden, instinctive terror. Other shapes are bursting from the dark, larger ones, yelling in shock.  A small hand grabs the dog by a tattered ear. A whine turns into a splatter, turns into a thud, and the shape of the beast goes limp, becomes a thing of dripping meat.

    The men of the village of Emain Macha shrink back in horror. The child, breathing heavily, watches bits of the animal’s skull fall from his fingers like sea-shell shards. A buzz of whispers. The beast is dead. The beast that kept Ulster safe from wolves, bears and roaming brigands, the terror of Ireland that kept our enemies at bay, is done for.That monster-child again. Always destroying. Always stained in blood. The dog’s handler emerges from the smithy, wailing at the ruined corpse. His hammer is a dark mushroom in his fist as he whirls on the child, the strange thing, half-mortal, faery touched.

    The wyrd boy with the horrible eyes.     

    What will keep us safe in our beds now? The men take up his cries. What will guard us from the dooms of Ireland?                                 

    The child, still quivering with fear, replies as only a boy would.. Desperate to stop the angry hisses, the snarls of disgust. The child gives up the name he can barely scratch out on a piece of slate. Please. I will guard us. I will take the creature’s place. I can make it better; I can be a better attack-dog than he ever was. I will be Cú Chulainn, the dog of the smith. Please.                                            

    This he swears. This is his oath. This is his curse.                                       

    I shall be the Hound of Ulster. 

    The mist was cold silk trailing low against the grass as the chariot drew to a halt on a sloping hillock. It rattled gently when it stopped. A thicket of spears bristled from its sides, fitting plumage for the war-cart of King Conchobar’s fiercest warrior: Cú Chulainn, he who was born of mortal, God and faery. Mightiest champion of the Emerald Isle, first and only son of Lugh the flame-clad god of battle. Stood at the reins, the familiar seat of his boyhood service to the hero, was Láeg, master of horses. He slowed the beasts down with a flick of his wrists.   In the pale glow of dawn hot breath steamed from between the horse’s tombstone teeth. The first horse bent his neck and began to graze. His companion followed suit. Now there was no sound across the plains, save for the champing of teeth tearing jade hairs from the back of the rain-fat earth.                                                       

    Láeg dismounted from the chariot. The raven-feather mantle of his jerkin bristled with the sweat of the early morning. The lad, his cheeks still downy with fluff, fussed over the stallions as they ate, whispering in their twitching ears and tracing the bony ridge of their snouts. He had been given to Cú Chulainn by Conchobar as a reward, years ago, a gangly brat who had only ever heard the stories of how the demigod had butchered the invading hordes of their war-ready neighbours of Connacht, polluting the river crossing of Ulster with the slain.  Give a dog his bone, the King had joked. If Láeg resented his role as a tool, he did not show it. Flitting between the beasts, he was limber and loose in a way he had never been whilst surrounded by the rough and lusty bannermen of Ulster.       

     At the back of the chariot, his master gazed at the boy through rainbow eyes.

    It was the first thing that struck any mortal when they met Cú Chulainn. Not the red gold of his mane, curling like the hidden heart of a hearth’s flame, or his beardless chin which refused to sprout hair, though he was no longer a young boy. Not his size, which dwarfed even the most strapping Ulsterman, or his curious way of moving, as if calculating how to leave a hair’s width of space between himself and the world. 

    No, it was those eyes, that shimmered with the jewelled hues of a river’s spray touched by a bough of sunlight. The half-moon stare of a wildcat that had traced the end, in the gloom of midnight, of so many of the would-be-heroes of Connacht. Mortals could not boast such diamonds to stud their heads. Grown warriors, hardened by axe-blade and spear-tip into chips of flint, feared to meet them. Even under the covenant of a meal of bread and salt, the most hallowed oath of all. They would mumble into their beards, flinch if he stood up too quickly, burn their tongues in their eagerness to be done. Their daughters would turn their backs to him when they made love. He could sense them trembling involuntarily as he went to cup their waists, had felt a rabbit shake like this as it waited for its neck to be broken. These days his hands seldom strayed from his person.                                      

    Now Cú Chulainn looked across the plains. Faint blotches were starting to deepen under his eyelids. It may have been a trick of the light, but his frame seemed to sag momentarily, before he righted himself. He turned his head upwards, studying the sky.     

     A lone raven was flying in circles overhead. The raven croaked its curses to the heavens and perched on a rock. There was a red strip of meat in its mouth. It matched his stare, jerking its head to the side. Come and see. His fists clenched on the sides of the war-cart. When he withdrew them, the imprints of his fingers had dented the bronze edges. 

    The chariot rocked slightly as Cú Chulainn stepped off. Láeg did not look up from his horses. He had accompanied his master too many times to bother questioning him. To stray from the war-cart would be to spit in the face of a bond written in bloodied axles and the cracked skulls of men ran under the hooves of a demi-god’s steeds. Before he left him, Cú Chulainn planted a kiss on the youth’s brow. When he touched his shoulder, the pads of his fingers barely brushed against the flesh. Láeg did not freeze as the hero’s hand settled over the bone. The kiss burned quietly against his freckled skin. No other words needed to be spoken. If they had, it would not have meant anything. 

    Cú Chulainn turned away quicker than expected. His head kept moving to where the bird was waiting. The raven beat its wings, scattering feathers. The demigod glanced over Láeg’s shoulder. He had been doing so, at brief intervals, the entire journey. The bird hooted its impatience. Cú Chulainn sighed, straightened himself to his full height, and began to walk.

    Absentmindedly shooing the damp muzzle of a horse away, Láeg watched Cú Chulainn as he moved across the plain. His quicksilver stride carried him across the slippery dirt with inhuman speed, so that he seemed to be skating on the mist. His red cloak fluttered at his heels, following the trail left by the spectre of the sunset. Then the fog swallowed him for good. 

    Cú Chulainn crested another hillock and came upon what he had expected to see. At least, something of the kind.                                   

     All around him were the spider-web walls of haze, a cushion pressed over the mouth of the world. Had he been here before? The day that his fever broke, as they tended to his wounds after the battle with Connacht, he had stopped by in a place like this, lingered, and left. The fog flickered with traces of warmth, orange brushstrokes against pearl.

    Cú Chulainn wrapped the cloak around himself tighter. Was the fog streaming from his ears, pulled out of his head? Druids could craft such a trance. For a moment, he heard the far-off sound of the sea. He frowned, concentrating. His eyes shimmered. There were shapes in the mist. Ah. Yes, of course. Her. The smoke parted.                                             

    A campfire was crackling merrily in a ring of stones, burping embers as kindling snapped and popped. Next to it, a beautiful brown heifer, speckled white and with inky, mournful eyes, was chewing at its curd. Three teats swung near the grass as she fed. There was a stool by the campfire and a pail of water and an old woman whistling to herself through puckered lips as she washed pieces of armour. It was armour Cú Chulainn recognized well, for it was his own.                                                                                                        

     A muscle rippled in his neck as his jaw clenched. An old set from his boyhood that he had outgrown. He did not think he would have ever seen it again. Not since they had sliced him out of the mail and leather glued onto him with the crust of his injuries after the victory over Connacht.                                                                                                  

    The grandmother looked up at him as he approached. Her withered face peeled open into a grin. Her sleeves were rolled back, revealing arms lined like rocks after a century of winds. There was a smell about her that Cú Chulainn remembered from the bones in a box he had been told was his mother. The tips of her fingers were bronze where they rubbed at the bloody streaks that crossed his leather jerkin. Gray, ashy locks fell across the grandmother’s brow, black beads of lice crawling across the thinning parchment of her scalp.                                  

     She had begun to sing a song he knew from the nursemaids in the village of Emain Macha. The lullaby was interrupted when Cú Chulainn spoke. He did not raise his voice. It cut through the surrounding sounds, humming with the crystal pitch of a wet finger drawn across the rim of a drinking glass.                                            

    ‘Greetings, seanmháthair.’ Even though he had used the proper form of address for the aged stranger, he kept his hands on the hilt of his sword. The crone looked up from her work again, feigned surprise, and bowed her head deferentially. 

     ‘Ho there, young ‘on, beardless boy, scarlet-clad hero,’ cawed the old woman.

    Overhead, the raven screeched. It was hard to tell which voice belonged to who.

     ‘Strange day to polish armour,’ noted Cú Chulainn. The crone shrugged. 

     ‘No stranger day than any other, lad. The right day, awk, many might say, had they the imbas forosnai, the trance of all-seeing and truth-telling,’ she remarked.

    Cú Chulainn clicked his tongue.

     ‘So then, old mother, you are cursed with the poet’s gift?’ he asked. ‘Yet you waste it, washing the garb of the fiercest of the Gaels, though no blade has opened him since he was a lad.’ The old woman wrung her hands, spraying the fire with droplets of water. They hissed where they touched the flame, filling the air with the stink of charnel.                                                                                              

    ‘Whether I clean or not, it makes no difference to a gore-painted pup,’ she rasped. ‘Were you to remove your cloak and stand before me like the day you were born, you would still be bloodied.’ The raven landed on the back of the cow. It ruffled its feathers and picked a strip of skin from the heifer’s spine. Cú Chulainn’s eyes narrowed, but he was smiling wanly, the grin of a man who finds himself accompanied by someone who, though not a friend, is at least a familiar face.

     ‘And you would still dabble in riddles. Speak true. Is it one of the shapes of the Mistress of Fate and Death that stands before me?’                                                    

     The old woman’s laugh was toothless. When next her eyes met Cú Chulainn’s, they were the dark purple of ruined king’s shrouds. A more fitting look for the Phantom Queen, the Goddess of Destiny and Despair that had shadowed Cú Chulainn with black-feather footsteps ever since he toddled from the cradle.                      

    ‘Right, you is, young ‘on,’ she purred. Cú Chulainn stood his ground, even as he felt something stalking up to him from behind, creeping with vulpine patience. He dug his heels into the soft clay of the land. He did not break eye contact, even when he could have sworn that hooked hands were starting to tug at his cloak. Chulainn let go of the sword. There was a proper way of doing these things. Besides, this was not the first time he had encountered the Goddess, though when they had initially met her chosen form had been far more welcoming. He cleared his throat.

     ‘Then I name you the Morrígan, Great Queen of our Gods, the Tuatha Dé Dannan. Shadow of the Emerald Island, rider of dark clouds. I name you Raven of the Slaughter-Field, maiden, mother and crone, she-who-is-three,’ intoned Cú Chulainn. The crone nodded.

    ‘Awk, then I name you Cú Chulainn, he who renounced his human name, thrice-born son of Lugh. I name you the Distorted One, dread wielder of the Gáe Bolga, battle-dog of the Ulstermen,’ replied the Morrígan.

    The feeling, heavy and thick that had permeated the air as they spoke, leeching out of the fog, vanished suddenly. Once the Oldest Game, the naming of things, had been completed, both parties could rest easy. To be named was no trivial detail. It was to be seen, confirmed, distilled and understood. Cú Chulainn brushed his cloak further over his shoulder and sat down opposite the campfire. There was something of the princely swagger of his heyday in the squaring of his jaw, yet as he shifted the scarlet cape it spoke of a gesture grown more practiced than passionate.    

                                                                                         

                                 

     A pot was bubbling over the flames, lumps of grey meat stewing in broth. The Morrígan left the pail of water, letting the armour soak. With shaking hands, she grasped the pot, though if she felt the pain of the searing hot metal against her naked flesh, she did not show it. She spooned out the meat into two earthen bowls, sprinkling the meal with a dash of salt. Cú Chulainn watched her as she worked. There were rules to this sort of thing. Forces greater than either of them were quick to hurl calamity onto the heads of those rash enough to dishonour the rules of hospitality.                                                       

    ‘Eat up, eat up, you have grown thin since last I saw you. Have a little more, laddie, just a bit,’ she fussed, funnelling more food from her bowl into his, gesturing for him to take it. He accepted, but did not eat. Even without trying, he moved so quickly that the bowl was in his hands before the Morrigan’s fingers had even finished opening. She gave no reaction.

     ‘Surely child, you knew it was I when you saw me,’ rattled the Morrígan.  

    Cú Chulainn nodded. ‘I guessed as much when I saw the raven.’  

    ‘Yet still you decided to play, like a wee ‘on, at guessing games?’

    ‘It has been a long time since we did, Great Queen. Not since you came to me in a different guise, the day I began the struggle against the Connacht men. Maybe I missed your tricks.’                    

    The Morrígan cackled and spat into the fire. ‘A right devil you were, young pup.’ One crooked finger tapped at the yellow flesh under her eye. ‘It still smarts sometimes, from where you tore it out.’ She spoke of her mutilation as one would recount finding a hole in their boot. ‘Awk, mouths should not flap, they should feast, come, eat.’

      Cú Chulainn smiled thinly. The Morrígan gestured with her steaming bowl, breaking crumbly bread for the two of them as she did. Cú Chulainn inspected the stew closely, raising a spoon with a glob of meat before his rainbow eyes.

     ‘The smell is odd,’ he muttered. ‘You would regret it if poison had found its way into my bowl. The Gods have a way of settling debts with oath-breakers. Even one of their own.’

    His voice was low but throbbed with the memory of broken ribs and gouged out eyes. The Morrígan was watching him, her violet pupils’ pinpricks in her sunken face.

     ‘Fret not, It is a meat that suits you well, Distorted One. What more fitting a meal thana real hound, served to the war-dog of Ulster?’                                                           

     Cú Chulainn set the bowl down by his feet with a dull thud. His other hand drifted as if pulled along by a mind of its own to the weapon strapped to his back. At first glance it seemed an ordinary spear, its shaft polished ash, handle a ghostly ivory. Yet there was something deeply wrong about its head. Serrated edges bit ravenously at the air, and when they caught the sunlight, they darkened it, gangrene blossoming putrid tendrils from a wound.

    Cú Chulainn’s fingers hovered over it, but his back had stiffened. His hands trembled as they neared the wood, as if they were loath to touch it. The Gáe Bolga, cursed weapon passed down by the warrior-woman Scáthatch to her worthiest pupil after a year of training. Wielded by Cú Chulainn, the nightmarish thing had accrued such infamy that Conchobar would urge the warrior to hide the spear whenever emissaries visited court. More than one messenger had fled Emain Macha when they caught sight of the weapon, driven out of their wits by the legend of its carnage.

     ‘Oh?’ clucked the Morrígan, her mouth the gummy maw of a snake. ‘You would strike me down, puppy?’

     ‘You know why, Great Queen. The enchantment I was born with, the fae-charm that grants me victory in battle, forbids me to eat dog-flesh. Why now, of all times, would you have me break the geas that binds me? Revenge? The battlefield where first we met has long passed. I did not think the gods held such grudges.’ His hand had not moved from the spear.

     ‘Bah, nothing so petty,’ said the Morrígan primly. ‘I bear you no hatred child. Even as a son of Lugh, your life is a snowflake in spring to the likes of the Tuatha Dé Dannan. Your geas needs be broken because that is what your fortune commands. Fate has decreed it so. I am merely she who ensures destiny has its due. Put up your blade and your spear, wee’on.

    Would you skewer the rain for falling, or the moon for rising in the night? It is the way things should be, and thus will be. You have known this since it was foretold to you by Cathbad the druid, that day you took the arms of Conchobar.’

     Cú Chulainn sat back, letting his arm fall. Cathbad, that little old man with the watery eyes and dusty grey beard, a playground for spiders. He had always adored children, yes, even Cú Chulainn, who at six years had been deadlier than a man fully grown. Oh, and how he had loved telling stories, shrouded in the fog of his hut, spinning yarns to the gawping brats that crowded around his lap. Stories of the faery Sidhe, the wee folk. Stories of travellers that sailed over the rim of the world, a stone with a hole that gave you second-sight and a fish whose flesh granted all-knowing, and a story that prophesized that he who could bear arms as a child would become the mightiest of the Gaels.                              

     Well, why wouldn’t he have tried it, then and there? Who could have blamed him for dashing off to find weapons, instead of waiting, shifting his feet impatiently, for the old goat to finish his tale? Sat across from the Morrígan, as he stared at his calloused palms, he could hear the wood splintering and the metal bend. How bronze shattered and bows split as the hands of Cú Chulainn the boy mangled them. No common weapons had sufficed for the son of Lugh, none save the ivory-hilted blade of his King, Conchobar.  

     When he had lifted it above his head, his smile had sparkled with the light of boyhood deeds and story-book promises. 

     He should have stayed and let the druid finish the story. He had left before Cathbad revealed that, though the wielder of arms would be immortal throughout song and legend, his body would soon lie cold in the dirt, cut down before old age by the caprice of destiny. The kindly little man had wept into his beard when they told him of Cú Chulainn’s impatience. He had sat down to explain his doom, hugging him, actually touching him, oh lad, oh you poor, sweet child. Later that night, alone where no one could see him, for the first time in his life clear rain had fallen from those rainbow eyes, soft and silent. They had not fallen ever since, no matter how thick they welled in his throat.                                                  

     War-dogs do not weep. The Great Queen’s words had found their mark. He had guessed her purpose once he saw the foul, black bird, just as he had known her identity. Now he was certain. What had she said, when first he crossed path with the Mistress of Ravens?           

    ‘It is at the guarding of thy death that I am; and I shall be,’ said the Morrígan across from him, and now her words were doubled by the echo of a much younger woman. 

    Cú Chulainn picked the bowl up again.

    ‘You have broken bread and salt over this meal, Morrígan,’ he noted. ‘I have no choice. I must eat: the covenant of a shared hearth gone unhonoured will doom me far more than the breaking of a geas would.’ He took up the spoon. ‘Subtle. You have outdone yourself.’ Cú Chulainn felt no malice towards the wizened hag squatting on her stool. They had fought, and more, in the past. It had been a game he had accepted his part in the moment he took up arms. He would not throw over the board and sulk in the corner with his toys when he lost. The hot meat rested comfortably in his stomach. When he had finished his meal, he felt the geas withdraw, an oily sheen peeled slowly from the skin. His death was lurking in the edges of the fog, watching him. Come a little closer.

     Cú Chulainn looked at his hand. Was it shaking? Maybe for a second. He wondered if the mist was dulling his fear. He caught his reflection in the pail of mirrored water. The raven fluttered into it. He saw his face dissolve and was relieved to no longer have those multihued eyes staring back him. Oh. Was that how people felt? He breathed out slowly.

     ‘So, what will happen now?’ he asked the Morrígan. He knew she already had the answer but did not care.

     ‘You are pursued by Prince Lugaid, son of Cú Roí, King of Munster. The hound has become the hunted, harried across the fields of Ireland. His executioner burns with the fire of an avenging son and brings a great war-host behind his chariot, thick as salmon in the stream.’                                                                                                                        

    ‘I know. I have managed to stay ahead, this far. Each day he gains more ground. It is…unsurprising. Ever since I struck his father’s head from his shoulders, I imagined that this day would come.’

     ‘How noble, hound. I thought you only savaged those your masters loosed you upon,’ giggled the Morrígan. Another voice, high, playful, and devoid of the creak of old age was bubbling out of the hag.                                                                                   

    ‘This was…different. There was a woman. The daughter of another king. Bláthnat.’ Her name sounded wrong on his lips, as if he should have asked permission to dare speak it aloud.                             

    ‘The great Cú Chulainn, brough low by a woman,’ laughed the Morrígan. Something that could have been a flicker in the air, and now where a hunchbacked hag had sat, there was a young lady, the Phantom Queen’s maiden form. She wore a dress of many colours that scattered, swift as fish, into one another. Her black hair tumbled, spilled ink, across her collarbones. The liver-spotted skin had become smooth, the scrawny purple eyes swapped out for polished amethysts.                                                                                                

    ‘You should have eyes only for me. I have known you longer than any of those doe-eyed tarts,’ she pouted with ill-concealed jealousy.                           

    ‘This was no mere woman,’ muttered Cú Chulainn. The worst truth of all was that he had loved her. At least, he thought it was love. A secret affair, unspooling during the princess’s visit to Emain Macha, not the romance of husbands and wives holding each other in the village square and counting herds of clouds in the sky. Love. Cú Chulainn was not sure that he could speak of such a thing, but it had been different…. had it not? She would let him pick her up, effortlessly, giggle as he whirled her around. She had braided flowers into his hair and kissed him with an open mouth, where others pursed their lips as if fearing that their tongues would be devoured. Yes. She had given herself to him in the way only a young girl who knows a man will someday ruin her can.       

     The Morrígan’s change had not shocked him. He knew what was coming, from his youth. Yet still he stiffened as she threw her arms around him. Soft lips grazed his ear. Her hair smelt of hills in the morning, lilacs and the fresh sweat of sex. The hem of her dress had fallen to reveal the curve of a thigh. It made Cú Chulainn remember the wet grass clinging to her naked flesh the day Connacht attacked, as she cleaned herself with a wet cloth and he walked his fingers down the length of her spine. Her, the Goddess of despair, death and carnage, him, the bringer of ruin. It made sense that she had sought him out: what human lover could satisfy the Queen’s divine whims? Ingrate. He should have been grateful for her warmth. 

    The Morrígan was running her fingers through his hair, white bone dipped in red gold. ‘No mere woman,’ she laughed. ‘I would not have taken you for a romantic. Where were all these pretty words when Fate clamped her legs around that fiery head?’

      Cú Chulainn gasped raggedly. He wanted to squeeze her, constrict, press, thrust, choke. That sugary scent, ground-up flowers, too much, gagging, the sickly-sweet fragrance of spoiled meat, hello old friend, corpses. Nothing like Bláthnat winding her arms around his waist, letting her head rest in the hollow of his shoulder. Around him, the smell of the sea, spraying, jets of blood, warm foam, salt. Tears. He pushed the Morrígan off him roughly, leaving her sprawled on the grass with her skirt around her hips. She laughed again, sticking her tongue out at him.

     ‘She never wanted him,’ he continued.  ‘Given over in marriage like a herd of sheep gifted to a neighbour, she didn’t want-he was…. hurting her. Conchobar forbade me to follow. He did not wish to risk more bloodshed; I was expected to obey. What need does a war-dog have for a wife he told me. I would have listened, done my duty, but day after day, locked up in his castle, every night…. there are laws, bonds to be followed between husband and wife, I know, yet…I…I couldn’t. It wasn’t right.’

     ‘Oh?’ The Morrígan adjusted the hem of her dress, stopping to consult her reflection in the pail of water. It winked. She blew it a kiss. ‘And the women taken against their will by the Ulstermen, as you led their hosts and slew their husbands, I had thought that was right,’ she said.

    Cú Chulainn leaned forward to stare into the fire.                  

     ‘I am the Hound of Ulster; I do the bidding of my masters. That is my vow. I just…I thought maybe, this one thing I could do, one kindness…maybe it would matter.’ His gorge rose as he heard his own words. They were so hollow they echoed. He felt like a boy again, stammering out apologies as the village folk gasped and pulled their sons behind their legs, his hands covered in the blood of children, we were just play-fighting, I wanted to help, I’m sorry, I just wanted to play, I’m sorry, I’m sorry, I’m sorry. 

     ‘So, you killed Cú Roí.’ She yawned, her face a crescent of strawberry-daubed lips. ‘Oh, you silly boys.’

    Cú Chulainn laughed, a metallic rasp. ‘No. That would have truly made me an oathbreaker. She stabbed him in the throat with a hairpin before I had even broken down the door. I took his head, bade her leave, bore the deed on my shoulders. Conchobar will not ride to my aid, though I am sure he trusts I will survive. Maybe he hopes I will kill Lugaid too, spare him the need to declare open war. Then I can return to his service, chastised, meek. Does it matter? I walk alone.’

     The Morrígan arched an eyebrow. ‘My, my, such sacrifice. Yet even so, the girl still took her own life.’

     Cú Chulainn’s fists clenched. He remembered the girl, crazed out of her mind, still clutching the bloodied dress she had worn the first of many times Cú Roí had ravaged her. Teetering on the edge of a cliff as the sea frothed below, leaving behind only the memory of yellow hair, the ghost of a scream. The dull thunder of the waves.          

                                                                                

     ‘Just another soul damned by the Hound of Ulster, is that what you wanted to hear, Great Queen?’ asked Cú Chulainn. The Morrígan looked up from where she had been winding a lock of hair across one finger.

     ‘So now, for your kindness, for a murder you never committed Lugaid bears down on you,’ said the Morrígan. Cú Chulainn nodded slowly.

     ‘Does the boy know? The fresh-faced one who loves the horses? He’s pretty.’

     ‘No. Though I think he begins to understand. I did not wish to burden him with curses heaped on my head.’

     ‘You lead him, blind, to a battle you cannot win, another sacrifice on the altar to your glory?’ sneered the Morrígan, her face twisting. ‘Silly, silly boys, all broken promises and bloated confidence.’ Purple eyes rolled like dice. ‘Mothers tell their daughters never to trust a man can change. When will your thirst for leading young men to their deaths be sated, Cú Chulainn?’

     Cú Chulainn pinched his forehead. Imprinted behind his eyes as if with hot needles were the mangled corpses of the boy troop of Emain Macha. Those foolish lads had charged at the hosts of Connacht to defend their land whilst he coupled with the Morrígan. If he had been there, he could have saved them.  Instead, he had built stinking walls of rotting flesh from the savaged corpses of the soldiers who had slain them, dyeing the river water with bile, blood and leaking pus. He had given in to the ríastrad, the warp that made his body swell and grow and crack into a slaughter-beast, but it had not saved the boys.                   

     The Great Queen did not lie. An eternal legend could not win back the stolen years from a graveyard of beardless youths doomed by the song of Cú Chulainn.    

            

                                                                                  

     ‘Why not let him go?’ probed the Morrigan. ‘Release him from his service?’       

    ‘The boy…. he was entrusted to me. He understands me, or something of the kind.’

     ‘Understands?’ she snorted. 

     ‘No. He is not scared of me, even though he should be. He is unwilling, or unable. I would like for him to be by my side, until the end. I would like to die without staring into the face of fear. I remember it more than I do my own mother.’

     ‘You tongue was never this loose when we first met,’ said the Morrigan.  

     ‘What sense is there in hiding fear from you? It is your domain.’

     ‘True. I know of your despair, Cú Chulainn. All men dread meeting their end alone and unloved. How mortal of you.’                                         

    ‘To be mortal is to be selfish,’ he barked back. ‘Why need I be any different? Was my birth not penance enough? A life made up of stifled screams when they meet my gaze and gooseflesh when I reach out for a touch. I have forgotten what a smile sounds like, Morrígan. Our kings take their trinkets and jewels with them beyond the grave. Is it so terrible to try and bring love with me?’                                                                      

     ‘You loved me, once,’ said the Morrígan. 

     ‘Once.’    

     Hound of Ulster and Phantom Queen sat opposite the campfire, and the hollowness of pain wrote itself quietly on their faces.

    The ghost of sounds and images hovered in front of the fire. Once, after the battle-frenzy had consumed him, Conchobar’s druids had laid a glamour over his eyes so he would fight the ocean that slammed against the shore and spare  the hosts of Ulster his maddened rage.

    The foam had reared like stallions, the roar of the waves had trumpeted with battle cries, and Cú Chulainn had battled with the tides until sleep overtook his body. Just like going to sleep. No matter how hard he fought, the water had rushed ever onward, and it had covered him in a blanket of brine when he collapsed into the sand. A lifetime of guilt spent on a foe that still mocked him from the beaches of his home, waving taunts from seagull-speckled rocks.                                                              

    ‘There is no love for the butcher,’ he said. ‘No more.’    

    It was what the Morrígan had been waiting for. Another flicker in the air, now accompanied by a noise, like hair tearing from the scalp of a keening widow. Where a young girl had stood there was now an older woman, her face scarred with the first crows-feet of age, her violet eyes thickened by grief. Her dress of many colours was tattered at the hem, and one breast, heavy with milk, spilled from her bosom. The Morrígan whirled on Cú Chulainn, her cheek lined with the ragged wounds of fingernails, her eyes streaked with grimy tears. When next she spoke, her voice was thunderous. Rage pulsed from her form like a dark red halo.

     ‘Aye, Cú Chulainn, widower, maker of orphans,’ she snarled. ‘Know thee well your legacy. Why shed you tears over the killing of one son, when so many have been buried at your hand?’ she raged, her hair crackling as it shook. ‘Hound of Ulster, breaker of homes, ruin of young loves and old bonds, rabid beast, where is your will?’

    ‘I told you. You know it. I had no choice. It was my duty to them, to my name,’ snarled Cú Chulainn, but the Morrígan’s laugh was the scream of a murder of crows.                                                                              

    Duty, you say, Warped One. How fares your precious duty? Can it make you whole again, if it ever did? Can it buy a stolen future?’ She spat on the ground. ‘Answer me this, hound of the smith.’

     Without realizing it, Cú Chulainn had begun to weep. He had sworn a vow that night, cold and shaking in his bed, that never again would he debase himself by shedding tears. Yet his was a history of broken promises, and now they fell, fat and thick, down his cheeks as he sat heavily on the ground.

     ‘I didn’t want to do it,’ he rasped hoarsely. ‘It was the oath. Until I die, I am not a man, Great Queen. I am the mongrel mutt of Conchobar, and I will fight the sea itself until it scours the flesh from my bones. I didn’t want to do it.’

     ‘So, this is how you will live your life, or what remains of it, Cú Chulainn,’ spoke the Morrígan. ‘A blood-stained dog with no say in what throat it tears, knowing only that it must bite whoever stands opposite the chain that holds it.’

     ‘I will not live much longer,’ said Cú Chulainn a sickly smile at his lips. It did not reach his eyes. ‘It’s for the better, wouldn’t you agree? I think there are many out there who would. Look around. This is no age of heroes, Morrígan. Ulster’s wars are finished. Even Lugaid’s grudge is but a tantrum, a hammer swung against one ant. It is time to surrender the world to the farmers and weavers, the poets and the bards.’  

     Cú Chulainn tilted his head back, taking in the heavens, wiping away the traces of his shame with one finger. He sighed, softly, not a complaint but the quiet realization of a man finding out all that is left for him to do in life is rest. To make truce with the waves he had wrestled with and let them carry him beyond the shimmering light of the horizon to find out where the sun makes its bed.’

    The Morrígan’s fury had abated. She was looking now at him with something that could have been pity.

    ‘I see you will come willingly. Yet…you are no fool, you could have left me before I broke bread and salt. You could have kept your geas, buy you did not.’ For the first time since they had met, the Morrígan looked genuinely confused. Only for a second, but Cú Chulainn saw the puzzled eyes of her younger form blink, not understanding.                                                                         

    ‘Why?’                                                                                                             

    ‘Because I killed a hundred fathers, and a thousand sons. Because I cheapened the love of good women, whose mercies I never earned,’ said Cú Chulainn.

    ‘Because this is no age of heroes,’ he repeated. ‘My oath binds me until my death. Now fate has delivered me something I might call…. freedom? Think of it as the last, great deed of Ulster’s war-dog. I will leave them with the story, but not the man. For the story to work, it needs to have an end. Ah, Conchobar, the men like him, I am certain they will rush to begin a new tale, find their fresh slaughter-beast, who knows? Yet, Morrígan…. maybe, just maybe, when I am long dead and buried…perhaps another child will hear of the fall of Cú Chulainn. Pause, for an instant, before rushing to take up arms, and he will grow and age and die happy on the sick bed of a man, not the lair of a dog.’ 

    His hand shook in a fist by his side. They had stolen his name from him, made him pledge himself to the banners of Ulster, all for a rabid mutt. He had just been a boy; he had been scared. Was still scared.                        

    A leathery hand fell on his shoulder, jolting him out of his panic. Cú Chulainn realized that his jaw was clenched, and that he was trembling. He looked down at the Morrígan, and into the creases of wrinkled skin that was an old and matronly crone. She took his hand gently.                                                                                    

     ‘Easy now, wee one,’ she said, leading him over to where his armour lay. The pail had disappeared, and now it shone, bright and bloodless on the grass of Ireland. Slowly, but surely, she began to dress the warrior, buckling straps, tightening leather, lacing his jerkins with practiced ease. The armour changed as it touched his flesh, growing to fit his frame, shone to a mirror-sheen, until it was unrecognizable as the tarnished suit he had dirtied as a young man. Not once did those old fingers tremble. 

     As she circled Cú Chulainn, she was now a mother, absentmindedly tucking and straightening the edges of his cloak, brushing grass from his shoulder. Now she was a maiden, feet white and bare against the earth, placing a belt of bronze, iron and gold around the hero’s waist. Cú Chulainn looked down at the image of the girl, her hair shot with the dark purple of crushed flowers.

     ‘Will you be there?’ he asked. Just to hear her answer. Hoping for her word. The Morrígan brushed her lips against his, standing on her tiptoes to reach. He thought it would be cold. It was not. 

     ‘Always.’    

     She called out to him, one last time, before he left. Her voice rang out, chiming with the three shouts of the maiden, the mother and the crone.

     ‘Goodbye, scarlet-clad hero!’ And then, a name, the true name Cú Chulainn had almost forgotten was his own.

     ‘Goodbye, Sétanta!’                                                                         

    Sétanta, who had been Cú Chulainn, laughed, the high, wild laugh of a child and the sun was in his cheeks, and in his hair, and stars danced in his eyes where it reached his tears.

    It happened in a place called Knockbridge. The sky was clear and blue when the war-host of Lugaid, son of Cú Roí, rode him down.        

     The demigod rode alone in his chariot. The child clad in raven-feathers was nowhere to be seen. As the soldiers began their attack, Láeg slept by a campfire of ringed stone, a light bruise forming at his temple where his master had gently struck him. When he woke, maybe he would mourn him. Maybe he would hate him. Probably, in time, he would forget him. Yet he would be alive when he did so and time would snow upon his chin until a beard grew from his fuzzy lips.

    In his place, Sétanta held his rampaging horses together with one arm, the reins wound about his wrist. The cart shrieked across the turf. Death loped behind him in fierce pursuit, tumbling and sprinting, swords rattling, horns yawping their monstrous tantrums to shatter against the hilltops.      

     Yet the dog of the Ulstermen did not return their baying chants. A flash of black wings darted through the clouds. Spears flew from the chariot of Sétanta, slicing into feet, arms, hands, pinning men to the dirt. When he had run out of spears, he leaned out of the chariot and grasped at rocks. Stones wailed through the chilly air. Wood splintered, horses shrieked in terror, the chariots careened into the distance. All the men at Lugaid’s side had waited for the ríastrad. They had waited for the Hound of Ulster to unleash his battle-fury, the berserker rage that twisted his body into a hollering fiend. It had not happened. No distortion rippled across his body. Perhaps if it had, he would have lived.                                          

    The first of Lugaid’s spears sent the horses tumbling to the ground. A flash of white silver was enough for Sétanta to slice his arm free from the reins and leap to safety. The son of Lugh drew the barbed, blackened thing from his back then. He hefted the Gáe Bolga. It was a miracle that the war-host did not scatter. It was close. Every man present had heard of that weapon. The unlucky few who lived through the raid of Connacht to see what it did ran first, scattering madly for cover. One man’s hair turned white on the spot as his mind broke from fear, sending him gibbering and hooting towards the forest where he would live among the beasts and birds until the end of his days. 

     Sétanta balanced the spear sideways across his toes and tossed it high into the air, stepping back. Lugaid let out a shrill bellow of terror and dive from his chariot. His loyal charioteer lunged in front of his master, now guarding only empty space, hefting an enormous shield. Just as the Gáe Bolga fell to the height of Sétanta’s knees he kicked out, striking the butt of the spear with his heel. Where his foot slammed against the wood, the grass blew back. The dread weapon roared across the length of the plain, a dark streak that screamed as it went.

     Yet…. the spear had gone high, streaking through the upper rim of the shield and past the boy’s neck. The Gáe Bolga punched into a tree and stuck fast as it worked its gruesome magic, jagged barbs of bone shooting from the tip, bursting from the brittle oak. Had the demigod missed? Impossible. The weapon never failed to find its mark. The bards told this in their songs, and songs cannot lie.

     Lugaid’s final throw took the hero in the side.

     Sétanta dragged himself over to a standing stone, a relic of a forgotten time. He stood, even as his entrails fell around his hands and tied the raw pink bands three times around the stone, binding himself upright. His legs buckled and gave way. The war-host advanced towards the stone. The dying champion was muttering something to himself, again and again. Then he threw his head back and drew a rush of air into his lungs. The younger lads got the worst of it. The older and more experienced warriors had just enough time to clap their hands over their ears.

    Sétanta screamed.

    The closest man to the stone keeled over instantly, unconscious, black blood spurting from his ears. Those that were lucky would feel a sick, throbbing in their heads for almost a month. Sétanta’s chin drooped, finally touching his chest. A sigh whispered from his mouth. and his eyelids closed. As his head lolled to the side, the war-host stood paralyzed. Surely, at any moment, those sleeping eyes of many-coloured fire would snap open and they would be torn from limb to limb.

     The eyes did not open. A look, oddly like that of a sleeping child untroubled by the future, was frozen on the warrior’s face.

     A while later, Lugaid and his company marched up to the stone, eager to claim a trophy from the demigod’s corpse. When he reached out to take the ivory-hilted sword still clutched in Sétanta’s fingers it slipped, taking Lugaid’s arm off at the wrist. The body stood upright against the rock, unarmed.

     A raven landed on Sétanta’s shoulder and began to nuzzle its beak against his neck.

    Strangely, the bird looked like it was greeting an old friend.

  • From Darkness to Promote Me

    From Darkness to Promote Me

    The following chronicle was cobbled together from a patchwork of archival documentation, medical records, and letters related to the life of the once-celebrated Commander Jean-Jacques Auguste. I would like to thank Monsieur Auguste’s estate for graciously providing access to the late Commander’s private journal.

    I will reluctantly admit that I cannot provide any comments as to whether the events recounted here are credible or not. History, mendacity, and superstition shape this epistolary puzzle: I leave it to my trusty readers to be judges, juries, and (dare I say it?) executioners of time’s sordid legacy. But enough from me-—it is time for the living to hold their tongues, and for the dead to speak.

    Report drafted by Garrison Commander Jean-Jacques Auguste, Second Franco-Mexican War, 2nd of August 1865.

    “Frightful business with a spot of local unrest. Juárez loyalists took up arms to storm the munitions arsenal. Attack was quickly thwarted. Minimal French casualties sustained. Loyalists apprehended.

    One civilian death reported, a young native girl. Unable to properly ascertain the culprit. Most likely an accident.

    Family has been duly compensated for the cost of the burial. Men are in high spirits after the victory. There seems to be no indication of further violence.

    Glory to the Emperor and may God have mercy on our souls.”

    Private correspondence of Garrison Commander Jean-Jacques Auguste to Madame Madelaine Auguste, 3rd of August 1865.

    “They hanged the brigands today in the courtyard, as the sun was setting. Oh, my dove, what a beastly hour to take the life of a man! A condemned man should be permitted to leave this earth beneath a clear sky. Instead, they shuffled onto the gallows, stained blood-red by the dying light of the evening. They cast great shadows for men so small.

    I hope these words I write are not too displeasing. I appreciate your desire to be informed of my doings overseas, but I can make no promises as to the content of these letters. The work of a soldier is grim business, and our duties here in Mexico are a far cry from the parades in honour of the emperor back home. I still remember the blush on your cheeks as I strutted in that silly dress uniform. Good heavens, I looked like a wedding cake! I would rather you hold onto on to that image of this proud fool who loves you too much for his own good, than that of the battered, tired man who writes this now.

    The crowd did not cheer when the brigands swung. I am not sure if it would have been better if they did.

    I simply wish for this confounded war to end. One can only hope that braggart Juárez sees sense and forfeits the debt these Mexicans refuse to pay to the Crown! My palate is more refined for our evening treats at the Boulangerie Viennoise than these base offerings of blood from a gaggle of Cains.

    Oh darling, that I could once more see fields of dew-slick grass, feel the grey mist of an evening rain! I struggle to put it into words, but this country’s soil does not agree with me.”

    Excerpt from the personal journal of Garrison Commander Jean-Jacques Auguste, 3rd of August 1865.

    “I watched as they buried the young girl, though I knew I was not welcome. Nevertheless, I felt compelled to see it with my own eyes, as they lowered the coffin into the red clay. I think I buried the family dog in a similar fashion, stuffed inside a crate once used for storing milk.

    I could not tell Madelaine. I fear I have already upset her with my grisly talk of executions. Besides, women take the sufferance of children quite poorly. I cannot help but wonder whether they are more sensible for this. It is difficult not to ponder how I would have felt, had it been a daughter of my own sepulchered beneath the dirt. Try as I might, I could not coax out any tears.

    The natives said nothing of our presence there, but I feel that for the first time since our arrival we are seen. Before they simply stared, but did not look, those vacant, simple black eyes flitting over uniforms and flags, like a gentleman sighting a vagrant begging for alms on the side of the road. Acknowledging that he is there (as a stone in your path is) but not recognizing him as a thing that lives. I fear the natives see us clearly now, and anything that lives, one knows, must also bleed.

    The searing winds have picked up, and they unearth a putrid smell. My only hope is that any threat of further violence is buried quietly alongside the coffin. It would be a terrible thing indeed for them to lose more daughters, now that they have no fathers left to raise them.

    The native girl’s mother did not weep at all throughout the burial. Instead, she simply stared mutely at the earth.

    Before I departed, she moved to toss a final clod of parched mud onto the mound, my shadow spreading out to mingle with hers. Native and Frenchman, intertwined by an umbilical stretch of darkness, knotted over the remains of a murdered girl.”

    Private correspondence of Garrison Commander Jean-Jacques Auguste to Madame Madelaine Auguste, 9th of August 1865.

    “…. a most unusual occurrence was bought to my attention this morning, my darling. It appears that one of the men, Maxime Dupont, refuses to participate in drills as expected of him.

    I investigated further myself, as the lad in question has always been a most noble, patriotic, and proud fellow. I am sure that if you think back hard enough, you will remember Monsieur Dupont, darling, for he was present at on our wedding day. A rather tall, brown-haired chap with crooked teeth, very polite. I recall you remarking that his manners quite impressed you, so you will also share my puzzlement.

    Upon being questioned as to the nature of this bizarre attitude, Monsieur Dupont refused to explain himself properly. He appeared to be melancholic and convinced that he was under severe risk of being harmed. Monsieur Dupont’s condition was serious enough that he has been temporarily placed under the care of our physician.

    Most likely, this is the consequence of too much time spent underneath the sun. That, or there may be some thuggish behaviour carried out underneath my nose by scoundrels harassing Monsieur Dupont. Regretfully, it would not be the first time this has happened within the army, though I pray such shameful deeds are not the cause of his distress.

    I do hope you are taking care of yourself, my dove. The French heat is often as merciless as the brands of Mexico. It heartens me that you took my last letter so well, though I feel I must apologize for indulging in gory details. Do try out the new hat I have sent if it has arrived already. I am certain it will be the envy of all your reading society.

    I tried to look over the Baudelaire you enclosed for me, but I confess I do not really understand it. It will fall to you to help me through it when we are in each other’s arms once more.

    Your love, and faithful servant, Jean-Jacques.”

    Report drafted by Garrison Commander Jean-Jacques Auguste, Second Franco-Mexican War, 11th  of August 1865.

    “……. Dupont’s case continues to worsen. Has been isolated away from the rest of the men for his own safety, and theirs. Have ordered him to be physically restrained. He insists on incurring grievous wounds upon his own person. Ordered his quarters to be lit constantly.

    He is at his most demented in the presence of darkness. No certain diagnosis as of yet. Cause of madness is still unexplained. Private Dupont is physically in perfect health and has yet to see battle.

    Have instructed for the old well to be inspected, and a new well to be dug. Contamination in the water may explain Dupont’s behaviour. Have also issued an investigation following frequent reports of whoring and men soliciting the services of native girls. I would not be surprised to discover that the diseased patient is hiding the initial symptoms of syphilis.

    This unfortunate circumstance has taken a toll on morale. However, I am confident order will be reinstated soon. Have personally attempted to interview Dupont, but there is nothing of value to report in his testimony.”

    Entry from the personal journal of Garrison Commander Jean-Jacques Auguste, 14th of August 1865.

    “Monsieur Dupont passed away this evening. The poor man resorted to chewing out his own tongue to end his life. There is little in this world more pitiful than suicide, but even this defies belief. The physician found him drowned in his own blood, the pink stump of flesh a bulging mass inside his throat. It was wedged so firmly in the poor devil’s gullet that they had to slit it open for removal.

    This is not the handiwork of a syphilitic lunatic, and I confess, to my great disgrace, I have not been entirely honest in my reports of Dupont’s behaviour. Yet, in my defense, there are certain happenings so outlandish that to relay them to my superiors would, at best, question my authority and, at worst, my own sanity.

    The day before he bit out his own tongue, Monsieur Dupont fainted, screaming in fear of a little girl.

    A widespread search was conducted as to whether any of the native population had managed to infiltrate the barracks. No foreign presence, never mind a little girl, was located. I would be remiss not to mark the unsettling echoes of the Mexican child buried two weeks ago, but it would be preposterous to fall into the waiting jaws of superstition. It is a ravenous beast that gluts itself on paranoid delusions and self-fulfilling prophecies.

    That being said, I find it hard not to attach any importance to Dupont’s words the night before he expired. All the while, he shrieked the same three words repeatedly. Even when fatigue overcame him, he moaned them out in a stupor: Solid. Dark. Shadow. Solid. Dark. Shadow.

    The bizarre nature of this…incantation has kept me from further reporting the event. After all, the words make so little sense.”

    Shields, Frederick James; Hamlet and the Ghost; Manchester Art Gallery.

    Emergency message delivered to Garrison Commander Jean-Jacques Auguste by Chasseur Hugo Verne, 17th of August of 1865.

    “…whilst on sentry duty this evening, me and Garnier and I spotted movement from up on the garrison. The watchword was asked for. No answer was given. No reply or any more movement was noted.

    Later, around midnight, movement again. Garnier and I observed a solid, dark shadow on the Eastern wall. I note solid, Commander Auguste, begging your pardon, as this wasn’t a trick, and Garnier can back up my statement.

    Lost sight of the intruder before we could get any closer. No evidence of the stranger’s presence could be found, no footprints or anything of the kind.

    I believe it is for the best, if you don’t mind my speaking out of turn, Commander Auguste, to consider more security along the walls. The ease with which this intruder fooled both me and Garnier is……. troubling, as on my honour as a Christian, neither of us were neglecting our post or sneaking a drink that night and were both on the highest of alerts.”

    From the personal journal of Garrison Commander Jean-Jacques Auguste, 17th of August 1865.

    “I do not know what to make of Monsieur Verne’s report. Recent circumstances leave me shaken to my core. I have prayed to God for assistance in this matter and asked Him to dissuade these fancies that threaten to plunge me into the raving world of witches and lunatics. He remains silent as the crowd that saw those brigands hang, a mute disgust watching me with sable eyes. Quietly measuring out a noose to circle my neck.

    It was those words again, in Monsieur Verne’s tale. Words said in sequence, that he could not have possibly heard from the departed Monsieur Dupont, who howled them out only to a physician and to me.

    Solid. Dark. Shadow. Solid. Dark. Shadow. What on earth does it mean? Is this a code or cipher, a motto whose significance I am simply too slow to understand? Yet there again it appears, creeping through the flow of his speech like mold, slowly spreading from beneath its dank abode, solid, dark shadow, solid, dark, shadow, a redundancy made manifest. Nevertheless, I find myself repeating it as I would my nightly prayers.

    How can I not peer into the folds of night and imagine, hidden in them, a shape, biding its time, observing me in silence, waiting for my back to be completely turned to lunge at me in fury?

    The longer that I squint into the shadows, the more they seem like slippery coils of matter coalescing and drifting apart-but no, no, they do not yet appear dark, or solid, though shadows they may well be. The candlelight strikes at their questing tendrils and whips them back. What fear is there for a soldier of the Empire that quelled this dry and savage land when faced with goblins, ghouls, and childish inventions?

    Ours is an age of reason, and to reason I must pledge myself as servant and crusader.”

    Private correspondence of Garrison Commander Jean-Jacques Auguste to Madame Madelaine Auguste, 24th of August 1865.

    “Though it pains me to admit it, Madelaine, I exhumed the child’s corpse yesterday, alone, under the cover of darkness. Of late these days, I have been more than a little dishonest both to you and to my superiors. I understand this must confuse you, but all I ask of you is to try and to understand.

    It was my bullet that ended the poor thing’s life, a terrible accident. I would never have committed such an atrocity in good conscience-you know how much I love children, oh Madelaine, how can I make you see it? The smoke, the shouts, the haze of gunpowder…. a stray bullet, but nevertheless, one from my own gun. It was dismissed as a tragedy, a slip-up. You are the only soul that knows this, the only soul that I can trust to lead me with your perfumed hand through this field of thorns.

    Please, if the holy bonds that join us as man and wife could ever be called upon for a matter such as this, let me call upon them now.

    Should I have come clean, admitted the murder to be my fault? Would my superiors have cared? We all knew the bullet that the physician removed from her heart was of French make. Yet no uproar was raised, no guilt doled out-we all witnessed it, but only I saw. Madelaine, my love, the world will never know it was my rifle, the. The world does not want to know, but I will always bear that memory upon my shoulders, splinters, and all.

    And now all this talk of specters and shapes and death, it is choking me, Madelaine. Even now I question the decision, but it is for the best neither the Mexicans nor my men know of my momentary lapse of good conscience. I had to know, had to ensure that shame and rumour did not run amok any longer through my garrison. The chaos would be unimaginable. I rest easy with mud beneath my fingertips rather than innocent French blood staining my palms. Some doubts are best put to rest expeditiously and without fanfare.

    The fire that burnt what remained of the native girl left nothing solid indeed. Though try as I might, no matter how high I fanned the flames, I could not quite dispel those infernal shadows.”

    Report taken from the medical journal of Garrison physician Jean-Baptiste Rochefort, 26th of August 1865.

    “Deceased have been identified as Chasseurs Hugo Verne and Charles Garnier. Monsieur Verne’s wounds point to a shattered skull and broken neck. Body was found at the bottom of the stairs leading to the watchtower.

    Little blood found on the stairs themselves, indicating Monsieur Verne threw himself, or was thrown, impacting beside the final steps with tremendous force. Vertebrae in the neck completely pulverized. Serious lacerations observed on Verne’s hands, torso, and feet. Bite-marks and scratches from a human hand, some deeper injuries, from a blade of some kind. Unable to accurately identify marks as those of an attacker or self-inflicted.

    Monsieur Garnier found impaled through the jaw on the bayonet of his service-issued rifle. Blade lodged firmly in the top of the cranium. Gunpowder burns on Garnier’s hands and face are evidence of an attempt at discharging his weapon. Angle of entry of the blade proves Monsieur Garnier was aided by gravity. Monsieur Garnier’s torso and extremities bear signs of grievous corporal punishment.

    Presence of unusual blemishes in the eyes of both deceased. Cloudy bruises on the surface of the pupil are reminiscent of a solid, dark shadow.”

    Private correspondence of Garrison Commander Jean-Jacques Auguste to Madame Madelaine Auguste, 5th of September 1865.

    “This will be the last letter I send to Paris, my darling, not because my love for you has dimmed in any way, but because I believe it is best you separate yourself from a wretch such as I before it is too late. You may weep when you read these words, you may call me cruel, but it is the necessary cruelty of the monk who shreds his back to ribbons in the pursuit of salvation.

    As it is, I have resigned myself to the knowledge that even in death, we will not be reunited. I will still remember you fondly, though my eyes be blinded with hot blood from the boiling lakes of Hell. I sleep next to the fire now, for its blazing light is infinitely preferred to the cold, the teeming, wet womb of shadows that slide themselves over my skin, seeking to pour into my ear, thrice blasted and thrice infected for the purpose of my ruin.

    Yet I confess myself a coward, for still I wince and turn away when the edges of the fire’s tongues lick at my cheeks and fingers. If I cannot even stomach these flames, what will I endure in the dungeons of Tartarus?

    I did not mean to kill that little girl. It was an accident; I could not have seen her!

    But…I saw her the other night, in the hallway outside my quarters. Scoff at my words, denounce them as the fevered delirium of a madman driven insane by guilt. She-she? No, it was just… standing stood there, the silver mist of moonlight hovering like a miasma behind it.

    Before I had dismissed the reports of my men of the “solid, dark shadow” but now I know what they meant. That slight figure did not move, but even surrounded as it was by its brethren, the shadow of the girl hung in space, a rip in the fabric of the world.

    Perhaps the worst thing about it was its weight. The thick, heavy feel of its shape that belied it as something tangible, something set in its place and its purpose. Not an airy, specter that could be passed through, but a creature whose hands could touch andg rasp and feel and hurt and choke and scratch………its footsteps leaden thuds advancing onwards at the call of twilight, fingers smudging their blackened grime on doorknobs forced open, sabers shattered, rifles broken.

    Even then I understood that though it could be touched, it could not be killed. Any round discharged at that chest would be devoured by the hungering dark. Within the shape of that thing there dwelled the entrails of midnight, a corruption that had leeched its shadows from our hearts and minds and gorged itself, waiting to multiply.

    Had it been lying in wait, spreading like gangrenous rot ever since the winds blew that rancid stench from within the murdered girl’s coffin? Or maybe, like a seed, like grain, it was we who had carried it. Packed it in straw, sealed in crates, stuffed tight alongside the cannon, the rifles, the swords, the mortars, the grapeshot, and gunpowder sent over in droves on the emperor’s boats to germinate in this world of unspoken, bloodied truths.

    I had stared at similar shadows on the prow of my ship as it crossed the Atlantic, dripping from the folds of the tricolore, I had glimpsed it crawling inside shell-casings and lurking behind my shaving-mirror, wearing my face as a carnival mask. It must have helped me dig up the girl. The task had seemed faster that night, as if some being was scrabbling at the wood of the coffin from below, eager to be free.

    I ran. Why bother denying it? I ran, tearing down the corridor, bolting back towards the fire, towards the light that could beat back the shadows. It did me little good. It never will. This terror that stalks us all is not a foe to be vanquished by any means of reason, for we have always been endarkened.

    I can feel it within me now, from where it peeled off and slipped into my own shade. The filth is a second skin, sewn onto my back. It hovers over my head, stretching and dancing on the walls as it catches the light, doubling my every move like a mime, an ape with a thousand forms. How could I possibly return to France, nestling this parasite in my bosom, a prodigal son of lies returned to the place of its birth? It would flit from host to host, trailing the blossoms of its tarnish in its wake, curdling the souls that already hide the kernels of that self-same seed.

    I will not be the father to a legacy of shadows.

    I love you Madelaine, though you wish I never had. Remember the gilded uniform, remember the walks by the Seine, the pastries shared by lamp light. Please remember my face, one last time, before its features run melt into a pall.”

    Excerpt from medical records obtained from Charenton Asylum, Charenton-Saint-Maurice, 28th of October 1865.

    “Monsieur Auguste’s mental state has not shown any significant indications of improvement. Almost a month has passed since his internment and transportation from Mexico, and he continues to be stricken with active and severe attacks of melancholia.

    Recently discharged from the infirmary after a case of self-mutilation, Monsieur Auguste flayed chunks of his own feet with a stolen kitchen knife. Claims it was to cut away his shadow.

    Fear of the night has repeatedly been observed being his most obvious and frantic concern. Monsieur Auguste has been moved into solitary quarters for his own safety.

    Admittance today of a new lunatic. Assaulted several prostitutes due to bouts of psychosis likely triggered by a prolonged abuse of absinthe. Request for further medical examinations for possible venereal diseases carried by the patient: his body is covered in unusual blemishes, like solid, dark shadows.”

  • The Actaeon Solution

    The Actaeon Solution

    Felix Lazar wiped his mouth with the back of one pale hand and threw up. There wasn’t much left to puke: a thin film of bile peeled from his lips, a trembling spider web. He swallowed hot phlegm, getting to his feet shakily, steadying himself against the edge of the table as he rose. Stubby, well-manicured fingers scrabbled to find the bottle, pawing at the ridged plastic child-proof cap. One pill, then two, no, fuck it, three. The chalky texture of the medication dissolved in Felix’s throat; the chunky aftertaste of vomit mixing with the bitter paste of drugs. The room swooned, and he was down on his knees again, forcing yellow slime from an empty stomach. The pills gleamed at the bottom of the basket like discarded change.

    Moaning softly to himself, a keen whimper that trailed off into a sob, Felix made himself stand up. He caught a glimpse of himself in the mirror and nearly broke it then and there. His skin was fungal grey with shock, deep chunks of puffy blue-black flesh boring into the space beneath his eyes. The silk shirt his viewers loved was stained with filth, and his tie hung around his neck like the rotting trophy of a savage in an adventure movie. White flecks peeked industriously from behind the black gunk Felix smeared on his hair every morning. This only served to complete the portrait of a man whose dignity had been forced out of him and into the rubbish along with his lunch.

    Blearily, his eyes landed on the enormous, framed portrait near his desk. The old Felix Lazar beamed a toothy grin back. Too pristine to be fully natural, the kind of work discreetly done in an expensive LA dentist’s chair. Everything about the figure in the photograph suggested someone who had slowly and methodically erased any identifiers of age. Next to Felix stood a shabby little man in a lab-coat that would have been put to shame by a Halloween costume. The scientist was a foot shorter than Lazar; his blonde hair combed torturously over the wide dome of his head. Nevertheless, his smile was completely genuine, threatening to devour the photographer in one bite.

    His name was Doctor Paul Nassar. Of course, the bastard was happy. He had saved the world.

    Not that Felix was in a congratulatory mood at the moment. In fact, it took all his strength not to throw a paperweight and shatter Paul fucking Nassar’s smug face.

    Felix resigned himself to collapsing into his chair. Pinching the bridge of his nose was enough to stem the flow of tears, but only just. More than anything, he tried not to look at the surface of his desk where the thing was waiting, squatting by his laptop like a dormant snake. It sat primly within a lilac-envelope, as innocent as a Christmas card from his grandparents, the type he’d rip apart, pretending to read the trite message within as he counted the money inside. Felix had been in no rush to open this envelope. Surely no one ever was.

    Deep down, Felix had always known that one day it would happen. There were only so many people on this earth (less now, not like before, not like the bad times with their swarms of refugees, immigrants, tramps, looters, criminals….) so it was natural the lot would fall on Felix sometime. He knew it better than anyone, had spent the greater part of thirty years endorsing Nassar’s revolutionary procedure on his program, eagerly cashing in the state subsidies crammed weekly into his mailbox.

    Felix had dedicated almost every waking moment to pushing Nassar’s population-control operation to be implemented worldwide. As far back as the early days, when the smug, brilliant little geek’s experiments had been pilloried and lambasted by the scientific community and the horrified public. That was when people could afford to sniff down their noses, before even the most self-righteous had been forced to kill and eat their high horses to survive. Nassar had been able to secure the last laugh, then the Nobel Prize, and then the position as the leading medical expert in the entire country. Not to mention unlimited protection as the head of the Commission for World Health and Sanitized Depopulation. Felix hadn’t just sat idly by-ever since his first tentative foray into show business, he had been pulled along by the nose, bestowed with a prodigious gift for sniffing out the nearest windfall. He’d crammed the procedure down the throats of the masses until their teeth cracked. It was exceedingly easy, standing in the sterile light of his studio set, reeking of cologne, plastering on that piranha grin. People were tired, broke, rabid, desperate. More than that. They were hungry, and Felix had been the first to point them in the direction of a land of milk and honey.

    So, yeah, there would have to be some sacrifices and? You had to give up a few souls here and there for salvation. It was in the Bible or something.

    At first, when The Lazarus Pit had hit the air, he had been attacked for it. Not just the usual keyboard crusaders raking him along the coals on online forums and in hysterical video rants. That was part and parcel with the territory, especially in a program Felix had meticulously designed to thrive off controversy. As if controversy had ever been in short supply. Even back in the days when there were no breadlines outside supermarkets and the middle class that had followed the dinosaur and the dodo bird still remained, terminally online losers could always be trusted to find something to whine about. He hadn’t been deterred by the dog-turds rammed underneath his door, the bricks through the window of his old house, the flat tires in his car and the crudely drafted death threats rife with spelling errors and red crayon. What had been a real shock was the wave of support he had quickly received, the hashtags and the online trends backing the procedure.

    After all, Sanitized Depopulation on the scale Nassar had theorized was a pretty stark novelty. It was euthanasia, plain and simple, no use beating around the bush. Lazar never used that term on air. Too many associations with fascist-eugenics-Hitler-Nazi crap.

    Yet the arguments in favour were irrefutable, or so his allies pointed out. Sanitized Depopulation would reduce waste, break down the monopolies on food and resources cultivated by the greedy. In the hands of a single, efficient state, food would become what it always should have been: plentiful. Anyway, everyone knew that those who attacked the procedure were just insane radicals who cared more about themselves than helping other people. It was outstanding how quickly people’s indignation vanished when they were able to relax by themselves in their own flat, no longer shared with thirty other stinking, crying, coughing strangers. No longer reduced to counting ration coupons with trembling, hoarder’s fingers, and look how fast complaints dried up, when people could sit down to a steak dinner!

    All you had to do was try not to think too hard of where it came from.

    For thirty years Felix had hoped he was exempt from the Depopulation draft. Dimly, Felix registered that perhaps he had only survived for three decades because of his unflinching, rabid defence of the entire damn process. Now, it seemed The Powers That Be had decided to reward him for his keenness.

    In bold, simple type, the envelope proclaimed cheerily:

    CONGRATULATIONS CITIZEN! YOU HAVE BEEN SELECTED TO TAKE PART IN THE ACTAEON SOLUTION.

    There were no two doubts about it. His full name, occupation, address, civil status-they were all printed in neat little rows along the top of the envelope. As was usual for a medical record, the document had helpfully noted down his blood type (B-), which no-one ever really bothered remembering.

    “Maybe it’s good to know,” he muttered to himself. “Maybe it improves the flavour.” Then he laughed hysterically. He howled at the absurdity of it all, at the sheer, cosmic indignity. At some point, he started crying. Then he threw up again.

    Congra-tu-fucking-lations alright. Felix didn’t have to open the envelope to find out what was in it. He had examined maybe a thousand of them live on air, calmly talking his audience through the process, wisecracking and winking at the camera to ease the tension. A ghastly image assailed Felix, of a pudgy man with dyed hair and a silk shirt, quipping and teasing, his face a jack-o-lantern of pooling shadow and Botox corpse paint in the glare of the set-lights.

    I guess you really are what you eat! -cue tinny, canned laughter- It could be worse, it could be Arby’s!”-more robotic screeches of mirth- I wish Congress was still around, I’ve never tried jackass! –renewed howls from the speakers, yuck, yuck, yuck.

    Every shitty joke he had ever made was penned by scriptwriters. It was easier that way. It made it feel less genuine after every episode wrapped and the lights dimmed, Felix the showman fading into the darkness, save for that neon-white smile, we’re all mad here, yes sir, you can say that again. Staring at the hateful little package helped ground Felix in the present. He knew what would happen next: the envelope would contain a date, a time, a place. A picture of an animal. And a bland message of thanks.

    Thanks! For the first time in his life the sheer audacity of it hit Felix with the force of a freight train. As if this was just a one-time favour. As if you had a choice! Though, oddly, some people did volunteer, displaying a suicidal eagerness to hasten what they thought was their own martyrdom. They loved posting about their appointment dates online, spending hours shaming others to follow in their benevolent footsteps. At the height of The Lazarus Pit, they had been the suckers Felix loved to have on his program. Their manic cheerfulness was disturbingly infectious, the perfect poster-boys for normalizing San-Depop and stamping down on the dwindling spoilsports that continued to insist on stirring up controversy around the Solution.

    Felix remembered something his father had told him, about the days when the slaughterhouses were still running. How the workers led the animals to their deaths with the help of one goat, who would herd them to their demise. The beast, however, would be spared. It was the easiest way of doing it. His father had called it “the Judas Goat.”  Slowly, Felix reached into the drawer of his desk, grabbing the state-issued cheque that had arrived a week before. It was a very large number. There were many zeroes. Quite a bit more than thirty pieces of silver.

    He’d once been granted the privilege (what a privilege!) to see the procedure carried out in person. It was meant to be an event; the public was never shown any footage or photographs of the process. Ignorance is bliss. It was one of his show’s most repeated slogans. Felix had lifted this pearl of wisdom from The Matrix. But building up hype was easy: The Actaeon Solution, the miracle of modern science that had kept food on the tables of the world, that had rescued mankind from the jaws of destruction when the granaries ran dry!

    All you needed was a person. A person strapped to a steel table.

    Not sedated of course: drugs spoil the taste.

    The machines would do the rest. It was hard not to watch when they started, whirring and buzzing, screeching and glinting. Long, spindly arms quivering, all hooks and claws and knives and drills and peelers, saws and scalpels and hammers. They could take a person apart with the efficiency of a school bully on the playground. Nassar had told Felix not to worry: the sound he thought was screaming coming from the lucky citizen was just air and gases escaping his body. The whole process was totally painless, that was what was crucial for the public to remember. After enough minutes, guided by steady beams of radiation and injections of mutagenic sludge, the person would be stretched, pinched, stamped, sliced and carved into something, well, different, something useful. Disinfectant fog and sprinklers would wash the blood splattered walls clean, and the machines would have gunk wiped off their tools.

    The citizen would be…. changed. Not to the extent San-Depop or Felix had led everyone to believe. Turning people into actual living, breathing animals was far-fetched even for Nassar, not to mention wildly inefficient. There was more to eat on some 169-pound lardass than on a pig or sheep. Instead, the machine settled for warping human tissue into an imitation carcass, an exact replica of animal meat. Absolutely indistinguishable from the real deal all the way down to the texture, structure, and most importantly, the taste.

    Still, it was a necessary white lie for the masses. Easier to chow down on a burger if it was something inhuman, it’s not like it’s cannibalism, hell no! Plus, there was a weird poetic flair to it that people seemed to like: mommy got to be a bunny rabbit, look, Uncle Joe’s going to be a crab! Felix had never understood it, but he had been more than content to let folks concoct whatever cooky, little stories they needed to stop from going insane. Whatever helps you sleep at night, right? Everyone with sense swore by the quality of the meat: it was healthier, had no added preservatives or hormones, it was more humane and didn’t crowd poor animals into filthy pens. Of course, it was very good for the environment. Obviously, it turned Nassar an enormous profit.

    Excess mass was easier to dispose of. Felix knew on good authority that there was a roaring trade in the less appetizing organs (what does a spleen do, anyway?) to hospitals and Universities across the country. As for everything else… well, bones become glue, fat was processed into soap bars, skin cured for shoes and belts. Hair was perfect for designer wigs; teeth were handy accessories and made excellent cufflinks. Felix’s own waistcoat had cost him five hundred dollars and was studded with buttons melted down from the gold molars of an old man he had seen turned into a ‘mallard.’

    Felix could not resist the urge to look in the envelope. Sooner or later, he would have to. The personal details printed on it weren’t just for the benefit of the post office. It was a simple, crude reminder: we know where you live. We know where to find you.

    For an instant, Felix considered packing a suitcase and bolting out into the night. The ridiculousness of the idea crushed him moments later. He was one of the most well-known men in the country, no, the world. His hoarded millions were worthless for escaping: any cheque he tried to cash would immediately be picked up by the appropriate San-Depop authorities. Not to mention his legions of fans would be quick to string him up for his his selfishness. Had he not been the first to point the finger at those who tried to dodge the procedure, raving at their cowardice? His viewers had lapped it up, locating and destroying every persona non grata with a speed worthy of a swarm of locusts.

    Felix started to hyperventilate. His face bulged with the bug-eyed shock of a man who has spent his entire life pulling on a dog’s only for it to dive at his throat the second he lets go of the leash.

    The envelope rasped as he ripped it open. Felix Lazar drew the paper out gingerly, painfully, like a child slowly peeling off a scab on his knee. He ignored the address, the date (two days, Jesus fucking Christ, Mother Mary and Joseph, only two days) and saw only the cute, brightly coloured animal next to his name.

    A deer, prancing on the page with saccharine glee.

    Felix Lazar could not think of deer. Instead, he remembered the whirr of machines, the crimson mist from the operating table. Screams. Just…gas, air escaping from the body, it was painless, you didn’t suffer, that was what he’d always told the public, just a few quick seconds, well…. more like minutes….some pretty long minutes-there sure was a lot of air in a person, huh-the shrieking sound that wasn’t screams, just gas-it sure didn’t let up did it-he wasn’t a scientists what did he know? Maybe it didn’t hurt, it probably didn’t, only two days until he found out, fancy that, no way it hurt, Nassar wouldn’t lie, he’d told everyone it was painless.

    The next thing Felix Lazar saw was the bottle of pills still open at his desk.

    Doctor Paul Nassar sat at his desk, bathed in the blue glow of his laptop. He finished drafting his report and sent it, smiling wanly as he heard the computer whoosh. He’d be rewarded handsomely for this; there was probably another Nobel Prize on the horizon. Gosh, he’d have to start using them as doorstoppers at this rate.

    Nassar rang his butler, ordered dinner, and waited for his meal, checking his phone as he did, busy, busy, busy. He saw that the host of The Lazarus Pit had passed away, and that the program would be replacing him soon. Paul could vaguely remember meeting Francis or Frank Lazar, whatever his name was. An OK guy, a bit full of himself. Kind of smarmy, nothing worth writing home about. If he spent every waking moment reminiscing about every media personality that he’d ever meet, then he’d be at his desk until the cows came home. Any important messages from the more powerful ministries were handled with quiet efficiency, and he left the remaining interview requests, business meetings and university conference bookings for his secretary to wade through.

    There were big changes on the horizon. His breakthrough (tentatively branded Cadmus) had been so obvious, he had no idea how it hadn’t occurred to him before. The first machine he’d designed only worked on living tissue–what a waste! All the dead, the suicides trying to escape the draft, the buried millions just rotting away into mulch-talk about a waste of resources! The machines had been readjusted, an expensive undertaking, but the payoff was immense. Now necrotic tissue could also undergo the transformation process.

    It wasn’t perfect, unfortunately. Corpses from the terminally ill or the long-deceased were useless, no good at all for the quality of the meat. San-Depop would continue to run its lottery on living subjects until the kinks were worked out, though Nassar wasn’t quite sure they ever would be. The modifications would ideally pick up the slack and meet the livestock demands, but boy, despite everything, people were still out there, going at it like rabbits. Population growth was nowhere near as before, but darn it, things weren’t exactly peachy. Paul Nassar exhaled through his nose and rubbed his eyes. Some days it seemed like all his hard work was for nothing.

    Still, this was a step forward. Paul had always fancied himself a glass-half-full kind of guy. There was definitely a Nobel Prize to look forward to, a medal maybe. Perhaps they would give him another island in the Caribbean. Martha had been bothering him about a second honeymoon for years. Paul Nassar hummed the chorus of an Elton John song under his breath as his meal arrived. Venison stew with thyme, butter, garlic, red jelly, mashed potatoes and a glass of wine to help. Still singing under his breath, Paul Nassar tucked into his dinner, thinking of Martha, the new report, which interns he’d sign off on tomorrow at the lab, what movie to watch tonight (a toss-up between Age of Innocence or Evita) and a spy-thriller he was looking forward to buying. He thought of all the files left to sort through, of ice cream for dessert and whether or not it would rain tomorrow.

    Paul Nassar thought about all these things, but never about the food. He just chewed and swallowed, pink juices running down his chin.

  • The Leech

    The Leech

    It is my four hundredth and fortieth year upon this Earth, and I can no longer recognize my own face. I know it in essence. I have seen the portraits, done in heavy oils, gnawed by rodents: a slanted brow, eyes narrowed to the dark gleam of an ink-dipped quill, nose curving like an osprey. No matter. The paintings of the regal man I once could have recognized are the spectre of a memory. The creatures that eat away at the crumbling paint are a grotesque parody of the worms that heaved their slippery coils across my undead flesh.

    Perhaps the fourth turn of a century has changed me in ways that the bubbling venom of the leech’s curse could never have. I sit sometimes, amid the gossamer thread of cobwebs, strewn like frost, that coat these stone walls. I dream, with fantastical, wild notions about what I may look like. Possibly I am transfigured into a cracked and wrinkled nightmare, glittering feline eyes peeking out from puckered flesh streaked with bile’s yellow brushstrokes. Maybe my features have been warped into a lupine mask, flesh tight against my skull, eyes burning lamplights. And perhaps there is no change, and the haughty gaze of that man, once buried in a coffin whose lid bears the marks of claws rending the rotten wood from the inside, has not moved. Immutable. Alabaster flesh turning aside the scythe of Father Time as a coat of mail would a dagger. I would not know. 

      

    All I can do is search the expanse of my pearlescent skin, run my fingers clumsily to feel the bridge of a nose, the curve of an eye-socket, the quivering softness of lips. Awkwardly trying to construct one whole image like a blind man clutching at the walls of a cave, palms fumbling along shards of stone. The mirror that sits above my bedroom table is as much a prop as the mattress itself. Standing before it I see an empty room, a man erased. The shadow of silhouette flickers on the carpet, begging to be heard, answered only by an empty glass.  

    In the beginning I welcomed it.                                                                                 

    After years of glutting myself on the living, it finally struck me….so much time to learn, better myself. I could hone my already prodigious capabilities to new lengths, be unrivalled among men in both body and mind. Think, what lengths the immortal could rise to, when unshackled from the limitations of finite life! Why, he could soar to the heights of da Vinci and Botticelli, compose symphonies to shame Handel and Vivaldi, trample on the works of Shakespeare and Marlowe, achieve feats of natural philosophy that would consign Albert Magnus to utter mediocrity! Yet only once I strove for perfection, did I truly realize what it meant to surrender one’s soul.                                                

    The paintings I produced were the scribbles of a child, ham-fisted smears of colour devoid of rhyme or reason. In an agony of confusion, I fought to breathe life into the canvas, a ludicrous task for one undead. Howling, raging, tearing at my flesh I thrashed back and forth, racking my mind to produce something, anything, but these slender fingers could only clutch the paintbrush in the fist of an ape. The gift of creation had been spirited away under my nose even as I gloated, unaware that I would never reach the true immortality of men who could feel.

     Heaps of parchment filled the castle halls in a blizzard, ripped by savage paws that could only throttle a quill in impotent frustration, spotting the paper with tears of ink. I procured a violin and set it on the rack to screech and whine, until I left its gutted carcass to collect dust, and the creatures of the night made no music, no music at all.

    No passion could fill this void. My brushes with love were reduced to the palest of imitations, as close to romance as the efforts of an artist gone decades without practice would be to the masterworks of his youth. A sweet creature would catch my eye, my fingers running over her skin, but to grip and pierce rather than caress. My hunger would be of an uglier kind than any spark of lust, teeth finding the neck not to nibble but to bite, clasping the body close to feel the heart pumping, quickening in fear. Her flesh draining where once it would have flushed with the same blood gushing in bitter streams down my throat. The quivering gasps of pleasure were now the jerking frenzy of a body in its death throes. As for a wife, I only ever took one, forgetting, in an instant of desperation, the nature of my curse, how brief she was compared to mine.                               

    She stood before me. I closed my eyes. When I opened them again, she was gone, powdered bone left to be swept by the wind and carried away.                          

    Four hundred years and more I count, though why I bother I could not truly say. It keeps the mind fresh, staves away the rot blossoming in my head. Cancerous petals bloom and mould has snuck its way between the cobbles of my abode. Mildew is adequate perfume for the days that eke their way forward with arthritic grace. The tapestries hang heavy with dust, and the grime has claimed the stained-glass windows, reduced to trinkets deprived of the sunlight that once made them gems.

    My God I miss the sunlight! The torments I would endure to see my halls dappled in jade and ruby, the blood I would spill, If I had any to give, for an evening watching the surface of a lake in the summertime, strewn with winking diamonds. A kingdom, my kingdom for the warmth of a June morning on my face!                 

    The urge, macabre, insane, often springs on me, seizes me with such force I begin to shake and grow weak. The prospect of finality, once incomprehensibly daunting, is now one I envy with the flaccid ruin I call a heart.                            

    I yearn to pluck away at the thick curtains that shield my windows and let the burning tide flood inside in streams of molten gold. 

    Oh, flay me alive with your fiery whips, I care not! The tongues of Hell cannot be worse than an eternity clothed in midnight!     

    I would cling to memory for salvation but can only pounce at half-remembered lives, too many for one man, a dozen faces to go with a hundred names. Sometimes I am rooted to the spot as if speared by lightning: the sound of hooves and the bellowing of Boyars flourishing banners wet and heavy with gore, the cacophony of London and the stench of a river turned cesspit. Ocean spray, a ship’s rudder groaning, the scream of a dull-eyed peasant ripped open in a forest clearing, a madman with zealot’s eyes lapping blood from a bleached floor……can I really call these fragments my own?                                                                       

    Here I sit, and time has passed me by like a carriage overtaking a poor man by the side of road, leaving him with snatches of laughter and good cheer. The glimpse of a true life he will vainly chase as a fool dances with his shadow, always one step behind.

    What existence for a man is this? Yes, the power, the elegance, the beauty of gliding through the night, shadows chased away by crimson eyes that see every quiver of a leaf, every twitch of fur on a rabbit’s hide, it is intoxicating at first. I remember the deranged glee of freedom from the mortal coil, the joy, terrifying, electric, of jeering in the face of God, my very existence the ultimate affront to His will, yet agonizing by His design.       

    Now the sneer fades from my lips. I scamper from the oncoming dawn, night after night, to curl in a cellar with no company save a hunger that can never be abated roiling in my stomach. The fine silks, the lace and velvet and furs that swaddled me have long-since rotted away. The candles sit cold in puddles of hard wax, for what use is light for eyes that see in darkness? My court is one of shadows, and when I dine my banquets become masques for the rats and the spiders.                                                                                               

    The clustered hovels scattered below my keep have grown into towns. Hovering in the empty sky, the moonlight casts me in silver. Lamplight from a hundred houses is the glare of torches in the hands of the mob. I am not welcome here. I can hear the sounds, a thousand lungs drawing breath, the laughter, the whispers, the sobs. If I close my eyes, for an instant, long enough, I can pretend that giggles burst from my lips, that it is my salted tears that stain barren cheeks, that the throb of life comes from within my breast and not theirs.               

    Once, such delusions would not have troubled me. Once, I held men in my thrall, but the sands of time slip ever onwards, and the monster that hides in the castle becomes just that: a monster, banished to the realm of the storybook and the tall tale. The whispered memory of a thing, nightmare of bared fangs and billowing cloaks, a terror for children dispelled by pulling a blanket over a sleeping head.               

    Pure cowardice keeps me as I am. Even centuries later, for all my wailing, the thought of hearing the thud of the gravedigger’s soil on my casket terrifies me. Consigned to a Hell of my own devising, I flee from the Hell I know awaits me if I stride into the daytime. White flesh, a man made of candlewax…would I melt, or simply crumble?           

    I twitch the curtain aside, ever so slightly. Across the pine-dappled hills, the orange glow of morning begins to creep forward. Touched momentarily, the grass becomes emerald. I had almost forgotten grass.                                                                                                  

    I let my hand fall. The curtain being drawn is the sound of a coffin slamming shut.           

    It is my four hundred and fortieth year on this earth.

    Inspired by the work of Bram Stoker

    The End